Guitar Guide

Music Theory with the Guitar
Arpeggios and triads
triads
To memorize all major, minor, and diminished triads across all string sets, you should follow these exercises:
And then practice with them by doing the following:
- Crosspicking through chord progressions
- Improvising with triads only
Major arpeggios
E shape
The first 2 octave E shape arpeggio is based off the E shape pentatonic and has 4 triad sets going vertically on it.
Note
Practice exercise 1 - E shape Major arpeggio: To practice this arpeggio, first play it up and down, and then play the 4 corresponding triad sets built from that arpeggio.
C shape
This is the C-shape 1-2 octave for the major shape

Note
Practice exercise 2 - C shape Major arpeggio: To practice this arpeggio, first play it up and down, and then play the 4 corresponding triad sets built from that arpeggio.
D shape
This is the D shape which covers one octave but also has 4 triad sets, thus completing the 12 major triad sets, 3 for each of the 4 string sets.

Note
Practice exercise 3 - D shape Major arpeggio: To practice this arpeggio, first play it up and down, and then play the 4 corresponding triad sets built from that arpeggio.
Minor arpeggios
E shape
This is the 2 octave E shape arpeggio
Note
Practice exercise 4 - E shape Minor arpeggio: To practice this arpeggio, first play it up and down, and then play the 4 corresponding triad sets built from that arpeggio.
C shape
This is the C-shape 1-2 octave for the minor shape

Note
Practice exercise 5 - C shape Minor arpeggio: To practice this arpeggio, first play it up and down, and then play the 4 corresponding triad sets built from that arpeggio.
D shape
This is the D shape which covers one octave but also has 4 triad sets, thus completing the 12 minor triad sets, 3 for each of the 4 string sets.

Note
Practice exercise 6 - D shape Minor arpeggio: To practice this arpeggio, first play it up and down, and then play the 4 corresponding triad sets built from that arpeggio.
Major 7th Arpeggios
There are multiple flavors of 7th arpeggios and here you'll learn them all. First, it's important to know the 1-octave shapes, as all the rest of the 2-octave shapes are just built from those.
1-octave shapes
These first four shapes are the most useful arpeggio shapes on all string sets.
- The first two are from the CAGED E arpeggio shape
- The second two are from the CAGED C arpeggio shape




These next shapes are based on a widened version of the basic, but still useful. It's translated down 3 sets.
There are two more useful widened shapes.


two octave shapes
E shape
Now we can start getting into the 2-octave shapes. First off, here's the E shape, based on the the E-shape major arpeggio:
Note how it's just a combination of two single octave Maj7 arpeggios from the E-shape arpeggio.


C shape

these are the 1-octave shapes from the C-shape arpeggio that make up the full arpeggio


three octave shapes
Minor 7th Arpeggios
1-octave shapes
Here are the 4 shapes on the E string set


Here are the 2 shapes on the A string set


Here are the 2 shapes on the D string set
Here are the 2 shapes on the G string set

Chord grips
Spread Triads
Here are all the major triads as chords, which include only the root and the 3rd.


Here are all the minor triads as chords, which include only the root and the flat 3rd.



Shell chords
Although there are a lot of shell chords, they are easy to memorize if you group them by spread version and by string set.
Compact Shell chords
THe compact shell chords always have the 7th on top.
These are the compact shell chords on the E string root



These are the compact shell chords on the A string root, and keep in mind how they are the exact same as the E string roots.



The ones on the D-root are as so:



The ones on the G-root are as so:



Spread Shell chords
These spread shell chords have a much more lush and open voicing and always have the 3rd on top.



Here are the ones for the A string root



Here are the ones for the D string root



Major chord grips
These three major chord grips are made from stacking a D-set major triad on top of a G-set major triad.



- The D-string root grip comes from the CAGED E arpeggio shape.
- The B-string root grip comes from the CAGED D arepggio shape.
- The G-string root grip comes from the CAGED C arpeggio shape.
Minor chord grips
These three minor chord grips are made from stacking a D-set minor triad on top of a G-set minor triad.



- The D-string root grip comes from the CAGED Gm arpeggio shape.
- The B-string root grip comes from the CAGED Dm arepggio shape.
- The G-string root grip comes from the CAGED Cm arpeggio shape.
7th chord grips
These chord grips are all formed from the 7th arpeggio shapes.

These are the chord grips found from the E CAGED 7th arpeggio:


These are the chord grips found from the single octave 7th arpeggio with root on D:

These are the chord grips found from the D caged 7th arpeggio shape:


These are the chord grips found from the C-shape CAGED 7th arpeggio:

Note how this chord grip is essentially just the 7th shell chord with G string root with an extra bass note